From Mel Gussow’s NY Times review, November 18, 1975
A mother sacrifices herself and stifles her present so that her two daughters can have a future. The younger daughter is funky and permissive. The other, Xenith, is a dreamer, lost in an imaginary world; she play‐acts her life. She is Cleopatra standing on a kitchen table. Her passport for liberation is a handsome photographer whom the mother regards with total scorn.
| Credit | Artist | Photo |
|---|---|---|
| Playwright | Elaine Jackson |  |
| Director | Anderson Johnson |  |
| Stage Manager | Fai Walker Davis |  |
| Set Designer | C. Richard Mills | |
| Actor | Elaine Jackson | |
| Actor | Robin Braxton |  |
| Actor | Ramona King |  |
| Actor | Patricia A. Clement | |
| Actor | George “Smokey” Campbell |  |
| Actor | Dean Irby |  |
| Actor | Kim Sullivan |  |
| Actor | Lee King | |
All 1975-76 Season productions: