“Crazy Horse” has the sweep of a James Baldwin novel: it has at least three story lines and a landscape that reaches from Italy to Connecticut. The core of the work is an interracial marriage in the 50’s between a black journalist and a white woman, a relationship that is based on the author’s life. Secondarily, the play is about the husband’s New England relatives, who are afraid to face their neighbors. Through their own direction, they become invisible. – from the introduction to Mel Gussow’s Nov 12, 1979 NY Times Review
| Credit | Artist | Photo |
|---|---|---|
| Playwright | Louis Peterson |  |
| Director | Charles Maryan |  |
| Stage Manager | Philip Hirsch |  |
| Set Designer | Fred Voelpel |  |
| Lighting Designer | George Greczylo |  |
| Costume Designer | Judy Dearing |  |
| Actor | Natalie Ryder |  |
| Actor | Kim Ameen |  |
| Actor | Beatrice Winde |  |
| Actor | Minnie Gentry |  |
| Actor | Phillip Lindsay | |
| Actor | Charles Gordone |  |
| Actor | Susan Warrick |  |
| Actor | Laura Borgione | |
| Actor | Joe Morton |  |
| Actor | Jane Cecil |  |
| Actor | Michael Franks | |
All 1979-80 Season productions: