Clinton Turner Davis

Theatrical director Clinton Turner Davis was born on April 9, 1949 in Washington, D.C. to Josephine Davis and Clinton Davis. Davis attended McKinley Technical High School, where he performed in plays and was president of the thespian club. He briefly attended Hanover College in Hanover, Indiana, but received his B.F.A. degree in theater from Howard University in 1972.

After being cast in Slaughterhouse Play at the Public Theatre in New York City, Davis began his career with the Negro Ensemble Company in 1972 as the production stage manager for The Great Macdaddy at St. Mark’s Playhouse. Throughout the 1970s, Davis served as the stage manager for a succession of Negro Ensemble Company productions, including Eden, Nevis Mountain Dew, Old Phantoms: A Play in Two Acts, The Sixteenth Round, Zooman and the Sign, Weep Not for Me and Home. In 1982, Davis made his directorial debut with Abercrombie Apocalypse: An American Tragedy at Westside Arts Theatre in New York City. Produced by Negro Ensemble Company and written by playwright Paul Carter Harrison, the off-Broadway drama starred Graham Brown, Timothy B. Lynch, and Barbara Montgomery. Davis would go on to direct Pearl Cleage’s first play, Puppetplay, at Theatre Four in New York City in 1982, and serve as the stage manager for Lena Horne: The Lady and Her Music in 1983. Additional Negro Ensemble Company productions directed by Davis in the 1980s included Two Can Play, House of Shadows and That Serious He-Man Ball. In 1986, Davis co-founded the Non-Traditional Casting Project. He then directed his first August Wilson play, Ma Rainey’s Black Bottom, at Theatreworks in Palo Alto, California in 1989. At the Oregon Shakespeare Festival in 1993, Davis directed Joe Turner’s Come and Gone, which was the festival’s first produced work by an African American playwright. In 2013, he directed Charles Fuller’s One Night…. Davis was an associate professor of drama at Colorado College in Colorado Springs, Colorado.