Carmen de Lavallade is an American actress, dancer and choreographer.
Carmen de Lavallade was born in Los Angeles, California, on March 6, 1931, to Creole parents from New Orleans, Louisiana. She was raised by her aunt, Adele, who owned one of the first African-American history bookshops on Central Avenue. De Lavallade’s cousin, Janet Collins, was the first Creole/African descendant prima ballerina at the Metropolitan Opera.
De Lavallade began studying ballet with Melissa Blake at the age of 16. After graduation from Thomas Jefferson High School in Los Angeles, she was awarded a scholarship to study dance with Lester Horton.
De Lavallade became a member of the Lester Horton Dance Theater in 1949 where she danced as a lead dancer until her departure for New York City with Alvin Ailey in 1954. Like all of Horton’s students, de Lavallade studied other art forms, including painting, acting, music, set design and costuming, as well as ballet and other forms of modern and ethnic dance. She studied dancing with ballerina Carmelita Maracci and acting with Stella Adler. In 1954, de Lavallade made her Broadway debut partnered with Alvin Ailey in Truman Capote’s musical House of Flowers (starring Pearl Bailey).
In 1955, she married dancer/actor Geoffrey Holder, whom she had met while working on House of Flowers. It was with Holder that de Lavallade choreographed her signature solo Come Sunday, to a black spiritual sung by Odetta (then known as Odetta Gordon). The following year, de Lavallade danced as the prima ballerina in Samson and Delilah, and Aida at the Metropolitan Opera.
She made her television debut in John Butler’s ballet Flight, and in 1957 she appeared in the television production of Duke Ellington’s A Drum Is a Woman. She appeared in several off-Broadway productions, including Othello and Death of a Salesman. An introduction to 20th Century Fox executives by Lena Horne led to more acting roles between 1952 and 1955. She appeared in several films, including Carmen Jones (1954) with Dorothy Dandridge and Odds Against Tomorrow (1959) with Harry Belafonte
De Lavallade was a principal guest performer with the Alvin Ailey Dance Company on the company’s tour of Asia and in some countries the company was billed as de Lavallade-Ailey American Dance Company. Other performances included dancing with Donald McKayle and appearing in Agnes de Mille’s American Ballet Theatre productions of The Four Marys and The Frail Quarry in 1965. At the insistence of friend John Butler, she began teaching at the Yale School of Drama as a choreographer and performer-in-residence in 1970. She staged musicals, plays and operas, and eventually became a professor and member of the Yale Repertory Theater. Students during this time includes Meryl Streep, Sigourney Weaver, Joe Grifasi, Christopher Durang, and Wendy Wasserstein. Between 1990 and 1993, de Lavallade returned to the Metropolitan Opera as choreographer for Porgy and Bess and Die Meistersinger.
In 2003, de Lavallade appeared in the rotating cast of the off-Broadway staged reading of Wit & Wisdom.[12] In 2010, she appeared in a one-night-only concert semi-staged reading of Evening Primrose by Stephen Sondheim.[13] In 2014 de Lavallade premiered her solo show As I Remember It. The work was a meditation on her history in dance through performance, film, and storytelling. –Wikipedia
| Credit Type | Production | Season |
|---|---|---|
| Actor | The River Crosses Rivers: Short Plays by Women of Color | 2009-10 Season |